Shepherds playing horn and panpipes

Summary

: Shepherds playing horn and panpipes

: Brinay, Centre-Val de Loire, France
Location type : Church

: Brinay, Centre-Val de Loire, France

: 12

: 1101 -1200

: Painting

: Stone

: Romane

: Annonce aux bergers

: Partialy errased



: FB POSTEL-LABARTHE Hélène

Performer(s)
  • Performer information
    Type: musician

    Genre: male

    Posture: standing

    Character quality or function: shepherd, biblical figure

    Comment: that instrument is generally associated with shepherds

    Instrument information
    Instrument : panpipes - (Hornbostel-Sachs system: 421.112 )
    Shape of the pipe: straight
    Bell: no bell
    Finger holes: indeterminate
    Playing method: instrument carried in hands
    Comments: series of points on the frestel box
    Type of panpipes: carved out of a single piece of wood
    Number of pipes: At least seven different holes
  • Performer information
    Type: musician

    Genre: male

    Posture: standing

    Character quality or function: shepherd, biblical figure

    Comment: The figure has a dynamic posture

    Instrument information
    Instrument : horn - (Hornbostel-Sachs system: 423.12 )
    Shape of the pipe: curved
    Bell: in the prolongation
    Shape of bell: conical
    Finger holes: invisible
    Thumb hole: invisible
    Playing method: instrument carried in hands
    Material: indeterminate




Number of performers: 2

Organization of visual space involving performance: Aligned

Interactions between performers: 2 musicians (45-46), aligned, visual contact (convergent looks)

Comment: The feet of the horn player are lower than those of the other shepherds. Despite its destruction, one can imagine the raised arm of the panpipe player to point to the angel. The converging gazes, indicates the desire to depict two musicians playing together.

Function of the sound: sound signal, glorification

Source of musical inspiration: angel

Context of the sound: rural soundscape

Comment: Perhaps the contrast between the sound of the horn and the panpipes is based on the metaphor of fighting animals, which takes place between the high register (like that of the angel) and the low register (like that of the shepherds)

Chromatic: Musicians dressed in different colors.

Comment: The dominance of the red of the horn player over the white of the panpipe player is analogous to the sound of the horn drowning out that of the panpipe.