Two angels playing the gittern for the Coronation of the Virgin

  • Deux anges luthistes
  • Deux anges luthistes
  • Deux anges luthistes

Summary

: Two angels playing the gittern for the Coronation of the Virgin

: Chester, England, United Kingdom
Location type : Church

: Chester, England, United Kingdom

: 14

: 1380 -1390

: Sculpture

: Wood

: Musicastallis

: Deux anges luthistes


:
https://musicastallis.huma-num.fr/fiche.php?id=454


: Malan Laurine

Performer(s)
  • Performer information
    Type: musician

    Genre: angel

    Posture: seated

    Comment: The knees are slightly facing the center of the misericord.

    Instrument information
    Instrument : gittern - (Hornbostel-Sachs system: 321.32 )
    Neck: continuous
    Number of strings: 4
    Arrangement of strings: simple
    Courses: doubled
    Number of rosettes soundholes: between 5 and 9
    Shape of rosettes soundholes: circular single-opening
    Position of the rosettes soundholes: at center
    Position of pegs: bottom
    Tuning key: yes
    Decoration: There may be carvings or engraved motifs
    Playing position: The player is sitting
    Playing method: The right hand rests on the neck, the left hand on the rosette or near the tailpiece, depending on the desired tone.
    Fingers on fingerboard: yes
    Fingers hooked: no
    Placement on strings: indeterminate
    Sound box shape: half-oval
    Back shape: domed
  • Performer information
    Type: musician

    Genre: angel

    Posture: seated

    Comment: The knees are slightly facing the center of the misericord.

    Instrument information
    Instrument : gittern - (Hornbostel-Sachs system: 321.32 )


Isolated instrument(s)
  • Instrument information
    Instrument : gittern - (Hornbostel-Sachs system: 321.32 )
    Nombre de cordes: 4
    Arrangement des cordes: simple
    Nombre de rosaces ou ouies: 2
    Complement: Chevillier en forme de faucille, chevalet mobile, accord ouvert
    Posture de l instrumentiste: assis
    Tenue de l instrument: Entre ses mains sur ses genoux
    Frotte: oui
    Placement des doigts sur le manche: oui
    Forme de la caisse: semi-ovale
    Forme du fond: bombé
    Forme du cheviller: autre


Number of performers: 2

Function of the sound: glorification

Reference to music theory and musical perfection: harmony

Source of musical inspiration: Christ, Virgin Mary

Context of the sound: celestial music, angelic music

Comment: The Virgin and Christ are the recipients of an angelic "concert". The appearance of angelic musicians during the coronation of the Virigin is detailed in the "Légende Dorée" of Jacques de Voraigne and in many apocrypha.